As a research laboratory, I developed a typology of objects where material and form are simultaneously shaped. The material’s experiment, the act of “making” thus becomes the object of analysis and reflection. The stages process craft manufacturing is broken down and translated into graphic patterns. The set textile pattern suggests an immersion within weft where color and rhythm play with optical vibrations. In the same time, I built objects, searching to interact with techniques and materials by departing from the use of traditional materials of yarn and thread. Man- made materials are thus braided, weaved and assembled by hand. The ornament is involved in the object and not applied to the object. Simple form emanates, escaping from superfluous.